
Ella Langley is not playing this tour like a cautious step up. "The Dandelion Tour" feels like a major headlining moment, but the show still leans on the same things that got her here in the first place: sharp writing, a little rough edge, a live voice that can turn from barroom bite to bruised quiet in a hurry, and a crowd that already seems ready for every word.
The tour supports Dandelion, Langley's sophomore album and the follow-up to hungover. The new record drives most of the night, but older fan favorites, country covers and occasional guest appearances from the opening acts still help shape the set.
Whether you are trying to figure out the setlist, compare the rotating openers, estimate stage time or decide when to arrive, here is what to know before heading to the show.
“The Dandelion Tour” is officially in bloom. With the first shows in the books, we now have a stronger idea of what the night looks like. Langley has been playing a full headlining set, while the show has enough flexibility in the middle to keep it from feeling locked to one exact script every night.
“The Dandelion Tour” is Ella Langley’s first headlining arena tour and her largest tour as the main attraction. It began May 7 in Toledo, Ohio, before expanding with additional arena and amphitheater dates through October 31.
Although the show is centered on “Dandelion,” it is not simply a performance of the new album from beginning to end. Langley moves between the new record, songs from “hungover,” the early fan favorite “Country Boy’s Dream Girl” and select country covers. On certain nights, opening acts have returned during Langley’s set to sing parts performed by Riley Green or Miranda Lambert on the recorded versions.
The remaining headlining run starts July 23 in Pikeville, Kentucky, and currently extends through Halloween night in Saint Paul, Minnesota.
Date(s) | City | Venue | Opener(s) |
Thursday, July 23 | Pikeville, KY | Kaitlin Butts, Laci Kaye Booth | |
Friday, July 24 | Cary, NC | Kaitlin Butts, Laci Kaye Booth | |
Saturday, July 25 | North Charleston, SC | Kaitlin Butts, Laci Kaye Booth | |
Thursday, July 30 | Gilford, NH | Kameron Marlowe, Laci Kaye Booth | |
Friday, July 31 | Canandaigua, NY | Kameron Marlowe, Laci Kaye Booth | |
Thursday, August 13 | Austin, TX | Kaitlin Butts, Gabriella Rose | |
Friday, August 14 | Corpus Christi, TX | Kaitlin Butts, Gabriella Rose | |
Saturday, August 15 | Fort Worth, TX | Kaitlin Butts, Gabriella Rose | |
Thursday, August 20 | Green Bay, WI | ERNEST, Laci Kaye Booth | |
Saturday, August 22 | North Little Rock, AR | ERNEST, Laci Kaye Booth | |
Friday, August 28 and Saturday, August 29 | Auburn, AL | ERNEST, Gabriella Rose | |
Thursday, September 10 | Newark, NJ | ERNEST, Gabriella Rose | |
Friday, September 11 | State College, PA | ERNEST, Gabriella Rose | |
Saturday, September 12 | Charleston, WV | ERNEST, Gabriella Rose | |
Thursday, September 17 | Oxford, MS | Kameron Marlowe, Laci Kaye Booth | |
Friday, September 18 | Athens, GA | Kameron Marlowe, Laci Kaye Booth | |
Saturday, September 19 | Jacksonville, FL | Kameron Marlowe, Laci Kaye Booth | |
Thursday, September 24 | Knoxville, TN | Kameron Marlowe, Laci Kaye Booth | |
Friday, September 25 | Columbus, OH | Kameron Marlowe, Laci Kaye Booth | |
Saturday, September 26 | Moline, IL | Kameron Marlowe, Laci Kaye Booth | |
Wednesday, October 7 | Morrison, CO | Kameron Marlowe, Gabriella Rose | |
Friday, October 9 | Tulsa, OK | Kameron Marlowe, Laci Kaye Booth | |
Saturday, October 10 | Lubbock, TX | Kameron Marlowe, Laci Kaye Booth | |
Tuesday, October 13 and Wednesday, October 14 | Los Angeles, CA | Kameron Marlowe, Laci Kaye Booth | |
Thursday, October 29 | Des Moines, IA | Kameron Marlowe, Gabriella Rose | |
Friday, October 30 | Lincoln, NE | Kameron Marlowe, Gabriella Rose | |
Saturday, October 31 | Saint Paul, MN | Kameron Marlowe, Gabriella Rose |
The remaining run uses a rotating support lineup built around Kaitlin Butts, Kameron Marlowe, ERNEST, Laci Kaye Booth and Gabriella Rose. The exact pair depends on the date, and that matters more on this tour than it does on some others, because the openers can also become part of Langley's set later in the night.
Kaitlin Butts brings a theatrical streak that fits Ella Langley's sharper, more dramatic songs especially well. Her writing leans traditional-country in its bones, but she performs it with enough personality that her set should feel like a real part of the bill rather than a placeholder before the headliner.
Kameron Marlowe gives the lineup a little more weight through the middle. His songs sit in a more muscular country-rock lane, and that bigger vocal style makes him a natural fit for the larger fall rooms on the schedule.
ERNEST changes the feel of the night in a different way. He moves easily between country songwriting and looser, hook-first material, which makes his dates feel especially suited for fans who like Langley's more conversational side as much as the heartbreak songs.
Laci Kaye Booth is the softer edge of several dates on this run. Her songs tend to land in a dreamier, vintage-country space, which gives the early part of the night a little contrast before Langley's set gets louder and more direct.
Gabriella Rose rounds out the lineup with a throwback country instinct that fits Langley's catalog naturally. On earlier dates, she has also been one of the names most likely to reappear later in the show.
Ella Langley has generally started her headlining set at approximately 9 p.m. when the concert has a 7 p.m. listed start time.
Based on prior shows, approximately 9 p.m. is a useful expectation for dates with two openers and a 7 p.m. listed start, though it is not a guaranteed time. Outdoor curfews, venue operations and small changes in opener length can move the evening around. If you want to catch the full lineup, be in the building by the listed start time rather than planning your whole night around a 9 p.m. walkout.
Langley's full headlining set has generally been running about 85 to 90 minutes.
Once you add two opening sets and the changeovers, the full night usually lands in the three-to-three-and-a-half-hour range from the printed start time. For a 7 p.m. ticket, that means a finish somewhere around 10:15 to 10:30 p.m. is a fair expectation before you factor in parking-lot traffic or a long amphitheater walk back out.
The tour setlist has not stayed the same since opening night, but it is not being rebuilt from scratch every night either. We compared reported setlists from six completed headlining Dandelion Tour shows to identify the songs that have formed the core of Ella Langley's set. The exact order and several middle-of-show selections can still change by date.
Here are the songs fans may most reasonably expect from that six-show headlining sample (May 7 Toledo opener, May 14 Estero, May 15 Savannah, June 18 Oklahoma City, June 25 Salem and June 26 Wilmington).
Song | Why fans can expect it |
“Dandelion” | It appeared at every show we reviewed and has regularly opened the night or arrived within the first few songs. |
“I Gotta Quit” | A fixture in the opening stretch across all six reviewed shows. |
“Bottom of Your Boots” | Another song Langley has consistently used to build momentum early in the set. |
“Broken” | A regular part of the quieter, more reflective middle of the show. |
“Butterfly Season” | One of the most consistent songs in the middle portion of the set. |
“Be Her” | A dependable emotional high point that appeared at every show we reviewed. |
“You & Me Time” | It remained in the set throughout both the May and June dates we examined. |
“Somethin’ Simple” | A steady mid-show selection across the full sample. |
“20-20” | One of the older songs Langley has continued to make room for every night. |
“girl you’re taking home” | A reliable holdover from hungover and a regular part of the current show. |
“you look like you love me” | One of the surest bets of the night and usually one of the loudest crowd singalongs. |
“Loving Life Again” | A consistent late-set song that helps kick off the final push. |
“Choosin’ Texas” | One of the biggest songs in the closing stretch and a centerpiece of the new-album material. |
“weren’t for the wind” | It appeared in five of the six shows we reviewed and usually landed near the end of the night. |
The rest of the set has been more flexible. "paint the town blue" was common in the earlier May sample but dropped out of the late-June sets we reviewed. "Last Call for Us" appeared in Salem and Wilmington, and Wilmington also added "Speaking Terms." Covers such as "Here for the Party," "Wish I Didn't Know Now" and "It Wasn't God Who Made Honky Tonk Angels" are better treated as night-specific possibilities than standard expectations.
“Dandelion” supplies most of the headlining set. The Wilmington show included 12 songs from the 18-track album, including the title track, “I Gotta Quit,” “Bottom of Your Boots,” “Broken,” “Be Her,” “Loving Life Again” and “Choosin’ Texas.”
The new songs also help give the show its shape. “Dandelion” helps launch the night, more reflective tracks create a quieter stretch near the middle and “Loving Life Again” and “Choosin’ Texas” help drive the final run of songs.
Yes. Across the six reviewed headlining shows, "20-20," "girl you're taking home" and "you look like you love me" were the most stable holdovers from earlier material, and "weren't for the wind" appeared in five of the six. "paint the town blue" showed up more often in the earlier May sets than in the later June sample.
“you look like you love me” is one of the night’s biggest audience-participation moments. When an appropriate opener is on the lineup, that artist may perform Riley Green’s part. Dylan Marlowe joined Langley during the opening leg, while other guests could fill the role as the tour continues.
A little, but the main shape of the show has stayed pretty consistent.
Across the May and June headlining dates we reviewed, Langley kept the core of the set intact while making most of her changes in the middle. Earlier shows featured more covers and songs such as “paint the town blue,” while later dates added newer selections including “Last Call for Us” and, in Wilmington, “Speaking Terms.”
The reviewed May and June headlining setlists do not show a traditional walk-off-and-return encore break.
What has changed a little is the exact final sequence. The final stretch has usually included “you look like you love me,” “Loving Life Again,” “Choosin’ Texas” and, at most of the shows we reviewed, “weren’t for the wind.” The order has changed enough that fans should not expect one fixed finale every night, so do not head for the exits until the last song is actually over.
The production keeps the focus where it should be, on Langley, her band and the songs. This is not a pop-theater show built around giant set pieces. It is a fuller country headlining production with stronger lighting, a more deliberate stage shape and enough pacing changes to make the set feel like more than a bar-band blowout scaled up to an arena.
The entrance has been one of the more distinctive details. On recent dates, walk-on music has set the tone before Langley comes out and goes straight into "Dandelion." From there, the show opens forcefully, eases into a quieter middle and then finishes in a more crowd-driven closing stretch.
Guest spots from the opening acts can also change the feel of individual nights. That makes the production a little less rigid than some new-album tours, even when the broad structure stays the same.
For a 7 p.m. show, getting to the venue between 5:30 and 6:15 p.m. is the smart range if you want time for parking, security, merchandise and concessions without cutting it close on the first opener.
That matters even more on the amphitheater dates. Places such as Koka Booth Amphitheatre, BankNH Pavilion, Red Rocks Amphitheatre and The Greek Theatre can turn a simple arrival into more walking and more waiting than people expect.
Fans heading straight to assigned seats should still aim to be inside before the printed start time. The openers are not an afterthought on this tour, and some of them may reappear later in the set.
Start with the basics that actually matter on a country show spread across arenas and outdoor venues. Have your mobile ticket ready before you reach the gate, keep your phone charged and bring ID plus a payment card. If the venue allows a portable charger, it is worth having, especially when parking details, tickets and rideshare plans all live on the same device.
After that, pack for the venue rather than for one generic concert night. Arena dates are simpler. Amphitheater dates ask more of you. A hot July arrival in Cary or Gilford is one thing. Red Rocks or the Greek in October is another. A light permitted layer is usually the better call than trusting the late-afternoon temperature.
Bag rules are where fans lose time for no good reason, so check the venue policy before you leave instead of assuming one arena handles entry the same way as the next. Earplugs are also worth considering for kids or anyone sensitive to volume.
The fan style at early shows has closely followed Langley’s own mix of vintage country, denim and bohemian Western fashion. Cowboy boots, denim, flowing dresses, fringe and tour merchandise all fit naturally, and the St. Louis crowd included fans wearing both official merchandise and homemade Ella Langley shirts.
Comfort should still guide the final decision. Arena concourses, amphitheater hills and long walks from parking can make impractical boots feel much less exciting by the end of the night. Choose an outfit that can handle several hours of standing, walking and dancing.
With “The Dandelion Tour” continuing through October, SeatGeek makes it easy to compare available tickets for arenas, amphitheaters and the tour’s limited two-night engagements.
Go to SeatGeek.com or open the SeatGeek app and search for “Ella Langley.”
Select your preferred “Dandelion Tour” date and city.
Use the interactive seat map to compare sections, rows and prices.
Check Deal Score to find listings offering strong value for their location.
Filter the results by price, ticket quantity or section.
Review the ticket details and complete your purchase.
Follow the delivery instructions in your SeatGeek account.
Before the concert, charge your phone and make sure your mobile tickets are ready.
“The Dandelion Tour” is not a preview of what Ella Langley might become as a headliner. The first part of her run has already shown that she knows which songs need room to breathe, which ones need to hit hard and which ones the crowd is going to take from her for a minute and sing back louder.
📁 Categories: Concerts
🏷️ Tags: The Dandelion Tour, Ella Langley, Kaitlin Butts, Kameron Marlowe, Laci Kaye Booth, ERNEST, Gabriella Rose