
A Mumford & Sons concert can move from hushed acoustic harmony to an arena-wide roar in a matter of minutes. That swing has always been part of the band’s appeal. On the “Prizefighter Tour,” the trio is leaning into it again, balancing newer songs from Prizefighter with the older singalongs that still hit hardest when a whole room takes over the chorus.
The tour also arrives during one of Mumford & Sons’ most prolific periods. “Prizefighter,” released less than a year after “Rushmere,” gives the band a fresh collection of songs without pushing “Little Lion Man,” “The Cave,” “I Will Wait” or the rest of its early catalog out of the show.
Here is what to know about the Mumford & Sons setlist, opening acts, start time, concert length and remaining 2026 dates.
The “Prizefighter Tour” began in Vancouver in June before moving through arenas, stadiums and amphitheaters across North America. After a summer run in Europe, Mumford & Sons return to the U.S. on Friday, July 31 for 19 remaining headline shows that run through Thursday, October 8.
The current live show does not treat “Prizefighter” as a brief promotional detour after the band released it as its studio album on February 20, 2026. Recent concerts have included eight or nine songs from the album, with new material appearing in the opening sequence, the B-stage section and the encore. The rest of the performance moves across all five previous Mumford & Sons albums, including a heavy concentration of songs from “Sigh No More” and “Babel.”
Mumford & Sons’ remaining 2026 headline dates run across the United States from late July through October, with additional festival appearances in the U.S. and Canada.
Date | City | Venue |
|---|---|---|
Friday, July 31 | Shakopee, MN | |
Sunday, August 2 | Riverside, MO | |
Tuesday, August 4 | Atlanta, GA | |
Thursday, August 6 | Hollywood, FL | |
Friday, August 7 | Tampa, FL | |
Sunday, August 9 | Charlotte, NC | |
Tuesday–Thursday, August 11–13 | New York, NY | |
Saturday, August 15 | Gilford, NH | |
Sunday, September 20 | Charlottesville, VA | |
Tuesday, September 22 | Grand Rapids, MI | |
Wednesday, September 23 | Madison, WI | |
Tuesday, September 29 | Birmingham, AL | |
Thursday, October 1 | The Woodlands, TX | |
Saturday, October 3 | Albuquerque, NM | |
Tuesday–Wednesday, October 6–7 | Inglewood, CA | |
Thursday, October 8 | Mountain View, CA |
Outside the “Prizefighter Tour,” Mumford & Sons are also scheduled to appear at Hinterland Music Festival (August 1 in Saint Charles, IA), Lasso Montréal (August 16 in Montreal, QC), Sea.Hear.Now (September 19 in Asbury Park, NJ), Bourbon & Beyond (September 25 in Louisville, KY), and Oceans Calling (September 27 in Ocean City, MD).
Three support acts divide the remaining headline dates, each bringing a different sound to the bill.
Medium Build handles the late-July and August run. Nick Carpenter’s songs can feel loose, funny and emotionally overexposed all at once, which gives those early dates an opener who is more eccentric singer-songwriter than straightforward folk warm-up. If you like your opening set with a little edge and personality, this is one to arrive early for.
Marcus King Band takes over for the September 20 through October 1 dates. King brings a heavier guitar presence than the rest of the support lineup, with a mix of blues, Southern rock and soul that should give those shows a harder-charging first half before Mumford & Sons take over.
Sierra Ferrell joins the final stretch from October 3 through October 8. Her voice and stage presence give those last dates a more shape-shifting roots opener, moving easily between country, bluegrass, folk and older-string-band textures without sounding pinned to any one lane.
Recent North American timing points to a Mumford & Sons start around 9 p.m. when there is one opener on the bill. At Jiffy Lube Live, the June 19 show ran with one support slot and a headlining start around 9 p.m., which is a useful reference point for the remaining amphitheater and arena dates.
That is still a working expectation, not a venue-by-venue guarantee. Showtimes can move based on local curfews, opener length, weather and production timing, so the safest move is to be inside by the time listed on your ticket.
A full “Prizefighter Tour” headline set generally lasts about one hour and 50 minutes to two hours.
Recent full concerts have contained approximately 24 or 25 songs, although shortened arrangements, covers and transitions can affect the final count. With an opener, changeover and Mumford & Sons’ set, fans should plan for roughly three and a half hours from the listed showtime through the final song.
An event beginning at 7:30 p.m. will likely finish around 11 p.m. before parking traffic, rideshare waits or crowded arena exits are factored in.
The exact set can change by city, but recent shows give fans a strong picture of the core material. New songs are clearly central to the tour, while “Little Lion Man,” “The Cave,” “Awake My Soul,” “Babel” and “I Will Wait” continue to anchor the crowd-response moments.
Here are songs fans may reasonably expect based on recent 2026 sets, though the exact running order can shift.
Song | Why fans can expect it |
“Begin Again” | A recent opener or early-set song on the European leg |
“Babel” | Still one of the band’s most reliable mid-set surges |
“Little Lion Man” | A regular crowd centerpiece from the early catalog |
“White Blank Page” | A recurring emotional reset in recent sets |
“Rubber Band Man” | One of the most prominent Prizefighter songs in the live show |
“Awake My Soul” | A long-running staple that still lands hard live |
“Lover of the Light” | A consistent singalong from the Babel era |
“Rushmere” | The title track from the band’s 2025 album remains a regular part of the show |
“Prizefighter” | The title track and one of the most likely new-era inclusions |
“Badlands” | A regular Prizefighter selection in recent shows |
“Believe” | One of the stronger holdovers from Wilder Mind |
“Truth” | A recent live inclusion from Rushmere |
“The Wolf” | A bigger full-band release point in the main set |
“Timshel” | A stripped-back moment that helps break up the larger production |
“I’ll Tell You Everything” | Another recent Prizefighter inclusion |
“The Cave” | Still a foundational live song for the band |
“Ditmas” | A recurring later-set jolt from Wilder Mind |
“I Will Wait” | One of the safest encore or late-set expectations |
“Conversation With My Son (Gangsters & Angels)” | A recurring late-show Prizefighter moment |
“The Banjo Song” | A Prizefighter single that has appeared in both festival and headline sets |
Yes, within reason. The basic structure of the show has been fairly recognizable, but the band has changed openers, reordered new songs and rotated in or out a few catalog cuts depending on the night.
The B-stage is particularly flexible. Recent acoustic selections have included “Timshel,” “Where Are You Now,” “Reminder,” “I’ll Tell You Everything,” Taylor Swift’s “cowboy like me” and Simon & Garfunkel’s “The Boxer.”
Guest appearances can also reshape individual dates. Aaron Dessner joined the band on several songs at Fenway Park, Hozier appeared for “Rubber Band Man” and “Awake My Soul” at Hyde Park and Shania Twain joined the encore for “Here” and “Man! I Feel Like a Woman!” Those moments were specific to their respective shows and should not be expected at every stop.
Yes. All three have remained central to the 2026 live show.
That is one reason the current tour works for more than just fans of the new album. Prizefighter clearly matters to the band, but the show still makes space for the songs that turned Mumford & Sons into a festival and arena headliner in the first place.
Yes. Recent full headline shows have included an encore, although the songs and running order can change significantly. “Conversation With My Son (Gangsters & Angels)” has frequently appeared at or near the end, while “I Will Wait,” “Little Lion Man,” “The Banjo Song,” “Delta” and “The Cave” have moved between the main set and encore depending on the night.
The production expands Mumford & Sons beyond the image of three musicians gathered around acoustic instruments. The core trio performs with an additional backing band on a large tiered stage beneath an extensive lighting rig, giving songs such as “The Wolf,” “I Will Wait” and “Conversation With My Son” the scale of arena and stadium rock.
The show still creates quieter moments. The band moves to a smaller B-stage for stripped-down songs and close harmonies, providing a contrast with the large-screen visuals, lighting and pyrotechnics used elsewhere in the night.
Marcus Mumford has also moved off the main stage and through the audience during “Ditmas” at multiple shows. Outdoor stadium dates have used fireworks during the final song, although the available effects will vary by venue.
Arrive 60 to 90 minutes before the time printed on your ticket. That gives you time to park, clear security, find your section and visit concessions or merchandise before the opener begins.
For a 7:30 p.m. concert, reaching the venue grounds between 6 and 6:30 p.m. is a practical target. Fans attending Madison Square Garden should account for Penn Station and Midtown crowds, while amphitheaters such as Mystic Lake, Cynthia Woods Mitchell Pavilion and Shoreline can develop significant traffic on the approach roads.
Arrive earlier when you have a general-admission floor, pit or lawn ticket and care about where you stand or sit. The opening artists are substantial parts of the bill, so arriving only for Mumford & Sons means missing Medium Build, Marcus King Band or Sierra Ferrell.
Start with the basics. Make sure your phone is charged and your mobile ticket is loaded before you reach the entrance. A screenshot may not be enough if the ticket uses a rotating barcode.
A photo ID, payment card, earplugs, a portable charger and a small venue-approved bag cover most of what you actually need. Outdoor dates may also call for sunscreen, a light rain layer or an empty approved water bottle, but check the venue policy before you go. Every venue handles bags and hydration a little differently.
Comfortable shoes matter more than people think. Between parking lots, security lines, stairs, concourses and the amount of time you may spend standing once the show starts, a bad shoe choice can become the thing you remember most.
Mumford & Sons crowds are usually more about comfort and mild Americana instincts than any strict concert uniform. Denim, boots, vintage tees, workwear jackets and easy layers all make sense, but the best rule is to dress for the venue and the weather, not for a costume version of the band.
That is especially true on the amphitheater dates. A late-summer lawn in Minnesota or New Hampshire can feel very different from indoor arena air conditioning in Atlanta or New York, and the October West Coast run may cool off noticeably once the sun drops.
It can be, especially for teens or families who already like live folk-rock or Americana-leaning shows. The bigger considerations are volume, crowd size and the length of the night rather than anything unusually extreme in the performance itself.
Assigned seats are often the easier call for younger fans than a general-admission floor or lawn. If you are bringing children or younger teens, hearing protection is worth having in your bag even if you never need to use it.
For this tour, the seat choice changes the night. A floor ticket gives you the physical push of the crowd. A lower bowl or reserved pavilion seat usually gives you the stronger full-stage view. A lawn or upper section can work well if your priority is value and atmosphere rather than proximity.
From there, finding “Prizefighter Tour” tickets takes only a few steps:
Open SeatGeek and search for “Mumford & Sons.”
Select the tour date and city you want to attend.
Use the interactive map to compare floor, lower-level, upper-level, pavilion or lawn inventory.
Filter listings by price, ticket quantity, section or Deal Score.
Compare every date when the band is playing multiple nights in your city.
Review the row, delivery method, seller notes and any disclosed view restrictions.
Select your tickets and confirm the all-in price before completing checkout.
Follow the delivery instructions in your SeatGeek account and prepare your mobile tickets before the concert.
“Prizefighter” may be the reason Mumford & Sons are back on the road, but the concert is built around the full distance the band has traveled. The new songs arrive with the energy of a group hitting another creative peak, while “Little Lion Man,” “The Cave” and “I Will Wait” still turn the venue into one enormous chorus.
📁 Categories: Concerts
🏷️ Tags: Mumford & Sons, Prizefighter Tour, Marcus King Band, Sierra Ferrell, Medium Build